Jane, it’s so easy to get caught up in the thought that we need this and that. I’ve decided I can still carry less as I prepare for my UK trip. Ideally, you have a standing easel but I’ve travelled without one (cos it’s probably the heaviest thing I take) and find a place to sit. NOT ideal but really, when you think about the purpose of painting en plein air (grabbing an impression of place and your response to it as well as learning to see colour and value in real life), it does the trick!
]]>Ahhh Peter, yes! Such a great story about the vitality that comes with working on location, an energy almost impossible to replicate in studio. I do feel for the owners of your painting and wonder how the damage happened?
]]>Tamara, thank you so much for sharing your story with starting plein air work. It really helps to go out with a group because it does keep you going when initially, you may be having thoughts of quitting given the feelings of overwhelm and all the other things going on with painting on location! So brava for your commitment. And YES! so much payoff!
The overwhelm of seeing the whole world is huge and real. Which is why I recommend using a viewfinder AND doing thumbnails. I think a viewfinder is a must for someone just starting out. And, there’s always one in my bag…just in case. (It’s also got other uses which I detail in this blog post and this one (about using it to help see colour).)
]]>Thanks so much Judi!! And yes, sometimes less is more when it comes to plein air materials. Like anything though, when you use the easel etc over and over, it all becomes easy to set up. Practice makes perfect hah hah.
Thanks for sharing your stories of plein air experiences – that’s so much of what makes it enjoyable! I’d love to have been there with the pelican!
(And yeah ugh, I cringe to think of those pastels….)
Mary, I do hear you about tinkering!! Great word to describe what we can get into doing if we aren’t vigilant!
So very glad to hear that you use and see the benefit of doing thumbnails. They DO make a difference don’t they?
And of course all this applies to portrait work (the not-tinkering and the thumbnails). Always good to hear about moving forward 😁